The Troupe

This is a line of bath products for children conceived as a sustainable solution, both through the use of recycled PE packaging and through the life of the containers beyond the product’s actual use. Play is at the heart of the concept—play during bath time, and play afterwards, once the products have been used, extending their lifespan.

The idea was to create a group of characters, conceived as a troupe of circus performers, each with its own distinctive skill: the detangling spinning top, the shampoo submariner, the liquid-soap bubble builder, the conditioner jumper, and the cream roly-poly toy. Five characters designed to turn the bathtub into an aquatic circus ring, transforming it into a playful and beloved troupe that children can enjoy for a long, long time.

Ohlala!

We were given the name, and with a name like that, the image that immediately came to mind was that of a seaside bistrot or one set on the square of a small port town on the Côte d’Azur. Along with it came the quintessential image of a French woman in a striped sailor-style top, perhaps wearing a scarf or a red beret.

Sometimes the evocative power of a name is the key to the entire design: it is capable of telling a story, of suggesting a scene. A young woman sitting at a table, asking for un vermouth rouge, s’il vous plaît, and an attentive garçon who replies—or perhaps thinks—Oh là là!

Zara Woman

Zara approached us to redesign its best-selling women’s fragrance range. The brief called for an evolution of the existing design, ensuring that customers would continue to recognise the collection. Our focus was placed on the bottle and the cap, while only minimal changes were made to the secondary packaging.

Previously, the bottle featured a cubic design with very pronounced edges—an aesthetic that has become commonplace in the fragrance market—and a cylindrical cap. We began by working with square forms, while also searching for that defining element that would give the design character. The edges were softened, the faces subtly curved, and a transitional joint was created between the bottle’s shoulders and the cap, making the latter appear as a seamless continuation of the glass. The cap itself was also redesigned with a rounded square shape.

The result is a smoother, more feminine appearance than the previous design, while also conveying a higher perception of quality thanks to the increased weight of the bottle. The range comprises seven fragrances, divided into two groups: one with clear glass and black caps, and another featuring the more sophisticated variants, with tinted glass in black, red, or white.

Suavina

Suavina is a lip balm with a long history behind it—“135 years taking care of your lips”, as the brand’s baseline states. The design reflects a classic product imagery, in line with the main requirement set out in the brief.

The packaging design of the lip cream container is a redesign: an updated version of the container the brand has been using for many years. The surface has been softened and the edges rounded to convey the sense of smoothness expected from this type of product. The lid features the brand name, redesigned from the original identity, and also includes the word demo together with the brand’s year of foundation: 1880.

The design solution seeks to balance tradition and modernity through the use of classic typographic composition, sans-serif typefaces, and debossed lettering.

Dehesa de Luna

Dehesa de Luna Biodiversity Reserve Estate is located in Campo de Montiel and encompasses a protected area of almost 3,000 hectares of outstanding ornithological interest. From its hills, it is possible to observe a wide variety of bird species, including imperial and golden eagles, short-toed snake eagles, goshawks, kites, peregrine falcons, bustards, red-legged partridges, and many others.

The visual identity we designed brings together two key elements: the moon and birds. The wine labels were initially conceived as pencil drawings in which different birds—one for each wine—are superimposed over the moon. This graphic resource also allows for the development of a coherent visual language across future products planned for the estate, such as cheese, olive oil, honey, and others.

Mas Monserrat

This is a premium olive oil produced artisanally in an olive grove in Moixent, Spain. The production is limited to just a few numbered bottles.

The graphic approach is deliberately restrained, resolved in two colours, where the emphasis lies on composition and on the spatial, scale, and colour relationships between text and image. The result is a discreet and elegant visual language, applied to a recycled paper label that reinforces the product’s artisanal and premium character.